A wireless transmitter that mounts on the camera’s hot shoe to control Profoto lights remotely. Supports TTL, manual power adjustment, and high-speed sync. Why it’s used: Enables precise, cable-free control of flash settings from the camera position, streamlining workflow and allowing quick lighting adjustments during a shoot.

A compact, on-camera flash with a round head for natural light fall-off and pleasing catchlights. Features Profoto AirTTL and Bluetooth connectivity for remote control and seamless integration with other Profoto lights. Why it’s used: Delivers high-quality, portable lighting for portraits and on-location fashion work, either on-camera or as part of a multi-light setup.

A four-leaf metal light modifier that attaches to Profoto reflectors, allowing the photographer to shape and control the light beam by adjusting each leaf individually. Why it’s used: Directs light precisely, cuts spill, and creates clean-edged shadows — ideal for accent lighting, background control, or adding definition in fashion and portrait setups.

A heavy-duty cable that extends the distance between a Profoto generator and its flash head. Designed to handle high power loads without loss of performance. Why it’s used: Provides flexibility in light placement on large sets or challenging locations, allowing equipment to be positioned safely and creatively without being limited by generator proximity.

A honeycomb-shaped light modifier that narrows a flash head’s beam angle without changing its light quality. Available in different degrees for varying levels of focus. Why it’s used: Controls light spill and increases directionality, allowing photographers to highlight specific areas or subjects while keeping surrounding areas in shadow.

A specialized light modifier that removes almost all side spill, producing an extremely hard, focused light with sharp, well-defined shadows. Why it’s used: Creates a look similar to direct sunlight or a bare bulb but with even more precision and contrast — perfect for dramatic, high-fashion, or graphic lighting setups.

A high-output hard light modifier that boosts a flash head’s efficiency, delivering a bright, focused beam with smooth fall-off. Why it’s used: Increases light intensity while maintaining quality, making it ideal for long-distance lighting, simulating sunlight, or adding crisp, punchy highlights in fashion and beauty work.

A hard light modifier that concentrates a flash head’s beam into a tight, high-intensity spot with minimal spill. Why it’s used: Produces a focused, punchy light ideal for long-throw illumination, dramatic effects, or creating crisp highlights in fashion, beauty, and product photography.

A medium rectangular softbox measuring 60×90 cm, compatible with Profoto flashes. Produces soft, even light with defined yet gentle shadows. Why it’s used: Versatile for portraits, beauty, and fashion photography, offering a balance between softness and directional control in both studio and location setups.

A compact, lightweight octagonal softbox designed for Profoto’s Off-Camera Flash (OCF) system. Creates soft, flattering light with natural round catchlights. Why it’s used: Perfect for on-location portraits, beauty, and fashion work where portability, quick setup, and soft yet controlled light are essential.

A top-tier 2400 Ws studio generator offering ultra-fast flash durations, short recycle times, and exceptional color consistency. Features wireless control and AirX connectivity for remote operation. Why it’s used: Delivers unmatched speed, power, and reliability for high-end fashion, beauty, and commercial shoots where precision and performance are critical.

A high-performance flash head designed for use with Profoto’s Pro-series generators. Built for durability, fast recycling, and consistent color output, even at high power. Why it’s used: Delivers powerful, reliable lighting for demanding studio and location work, supporting a wide range of Profoto modifiers for maximum creative control.

A portable, battery-powered 1200 Ws light designed for use on-location. Offers consistent power output and fast recycling in a compact form. Why it’s used: Provides reliable, high-capacity flash power on location without the need for mains electricity, making it ideal for outdoor fashion, beauty, and editorial shoots.

A large Fresnel lens attachment for Profoto flash heads that produces a focused, theatre-style beam with adjustable spread. Why it’s used: Creates a dramatic, high-contrast light with beautiful fall-off, ideal for cinematic portraits, fashion editorials, and situations where a classic spotlight effect is desired.

A small rectangular softbox designed for highly controlled, soft illumination on a compact scale. Works with Profoto flashes via the RFi speedring. Why it’s used: Perfect for tight setups, product photography, or adding subtle highlights and accents in fashion and beauty work where precision is key.

A narrow rectangular softbox measuring 30×120 cm, producing a long, controlled beam of soft light. Compatible with Profoto flashes via the RFi speedring. Why it’s used: Ideal for creating rim or edge lighting, defining shape, or highlighting specific areas with soft yet directional light in fashion, beauty, and product photography.

An extra-large rectangular softbox measuring 120×180 cm, designed for very soft, even illumination with minimal shadow edges. Works with Profoto flashes via the RFi speedring. Why it’s used: Perfect for full-body portraits, fashion editorials, and product shoots where large, flattering light coverage and smooth fall-off are required.

A large, 150 cm octagonal softbox that produces broad, soft, and even illumination with natural-looking round catchlights. Compatible with Profoto flashes via the RFi speedring. Why it’s used: Ideal for full-body fashion, group portraits, or beauty work where a flattering, wraparound light and gentle shadow transitions are essential.

A rectangular softbox measuring 30×90 cm, designed to produce a narrow, directional beam of soft light. Works with Profoto flashes via the RFi speedring. Why it’s used: Perfect for creating controlled rim light, edge light, or accent light, as well as for shaping highlights in fashion, beauty, and product photography.

A conical light modifier that narrows a flash head’s beam into a tight, focused spot. Easily attaches to Profoto heads for quick setup. Why it’s used: Creates a concentrated beam for highlighting specific areas, adding accents, or producing dramatic lighting effects with strong contrast and minimal spill.

A 120 cm octagonal softbox that creates soft, even light with smooth fall-off and pleasing round catchlights. Compatible with Profoto flashes via the RFi speedring. Why it’s used: Ideal for fashion, beauty, and portrait work where flattering, wraparound light and natural-looking reflections in the eyes are desired.

A fabric grid designed to attach to Profoto octagonal softboxes, narrowing the beam spread without altering the light’s softness. Why it’s used: Controls light spill and increases directionality, allowing photographers to keep soft, flattering illumination focused precisely on the subject and off the background.

A 65 cm white beauty dish designed for Profoto flash heads, producing a unique mix of soft, even light with a hint of crispness. The white interior offers a more gentle, flattering quality than silver versions. Why it’s used: A go-to for fashion and beauty photography, delivering smooth skin tones, natural-looking highlights, and round catchlights while maintaining detail and shape.

A small, deep-profile umbrella with a silver interior that creates bright, specular light with strong contrast. The deep shape helps concentrate and direct the beam. Why it’s used: Perfect for adding sharpness, texture, and highlight definition in beauty, fashion, or product photography, especially when working in tight spaces or for accent lighting.

A medium-sized, deep-profile umbrella with a silver interior that produces bright, contrast-rich light with a crisp edge. The deeper design focuses the beam for better control. Why it’s used: Enhances detail, texture, and highlights, making it ideal for fashion, beauty, and portrait photography that calls for a punchier, more defined look.

A large, deep-profile umbrella with a silver interior that delivers bright, crisp, and contrasty light. The deep shape allows for greater focus and directional control. Why it’s used: Adds punch, clarity, and definition to the subject — ideal for fashion, beauty, and portrait work where extra sparkle and detail are desired.

A small, deep-profile umbrella with a white interior that produces soft, natural-looking light with mild contrast. The deep design offers more directional control than standard umbrellas. Why it’s used: Perfect for tight spaces or as a controlled fill light in beauty, portrait, and fashion photography, giving a flattering and focused illumination.

A medium-sized, deep-profile umbrella with a white interior that creates soft, even light with subtle contrast. The deeper shape offers improved control over light direction. Why it’s used: Ideal for beauty, portrait, and fashion work where a flattering, wraparound light is desired, while keeping the lighting controlled and focused.

A large, deep-profile umbrella with a white interior that delivers soft, even light with gentle contrast. The deep shape allows better light control and direction than shallow umbrellas. Why it’s used: Produces flattering, wraparound illumination for fashion, beauty, and portrait photography, while maintaining control over light spread and spill.

An extra-large, deep-profile umbrella with a white interior that produces soft, even, and enveloping light. The deep shape offers greater control over light direction and spill. Why it’s used: Creates beautifully soft illumination with natural contrast, ideal for full-body fashion, group portraits, or any setup requiring broad yet controlled light coverage.

A small, shallow-profile umbrella with a silver interior that creates bright, contrasty light. Lightweight and highly portable. Why it’s used: Delivers a punchier, more specular look than white umbrellas, enhancing detail and highlights — perfect for adding crispness in beauty, fashion, or product shots.

A medium-sized, shallow-profile umbrella with a reflective silver interior for bright, crisp light. Designed for fast setup and easy transport. Why it’s used: Produces a more contrasty and specular light than white umbrellas, adding definition and sparkle — ideal for fashion, beauty, and situations where extra punch is needed.

A small, shallow-profile umbrella with a white interior that delivers soft, even illumination. Compact and easy to transport. Why it’s used: Creates a gentle, natural-looking light with low contrast, perfect for tight spaces, on-location shoots, or as a subtle fill light in fashion and portrait work.

A medium-sized, shallow-profile umbrella with a white interior for soft, even light. Designed for quick setup and portability. Why it’s used: Produces a flattering, diffused light with gentle contrast, ideal for portraits, beauty, and fashion shoots where a natural, soft look is desired.

A versatile hard light modifier for Profoto flash heads, featuring an adjustable zoom function to change the beam spread from wide to focused. Why it’s used: Provides crisp, punchy light with controllable spread, making it suitable for everything from general illumination to accent lighting in both studio and location work.

A projection attachment for Profoto flash heads that uses lenses to focus and shape the light beam with precision. Compatible with gobos for pattern projection. Why it’s used: Allows highly controlled lighting effects, from sharp-edged beams to textured patterns, perfect for adding drama, highlighting details, or creating creative backgrounds in fashion and editorial shoots.

A large, 190 cm octagonal softbox adapted for use with Profoto flash heads. Known for its broad, even light spread and characteristic round catchlights. Why it’s used: Creates soft, wraparound illumination that flatters skin tones and reduces shadows, making it a favorite for beauty, fashion, and portrait photography.

A medium-sized (77 cm) parabolic reflector designed for focused, controllable light with a distinct, high-contrast look. Compatible with Profoto flash heads via its dedicated mount. Why it’s used: Delivers a punchy yet refined light with pronounced directionality and smooth fall-off, making it perfect for beauty, fashion, and product photography where detail and shape are key.

A parabolic umbrella-style reflector with a 140 cm diameter, engineered for precise light focus and exceptional wrap. The Profoto mount allows direct use with Profoto flash heads. Why it’s used: Produces a uniquely crisp yet soft light with beautiful fall-off, ideal for high-end fashion and beauty photography where control, depth, and texture are essential.

A powerful bi-color LED light with an adjustable color temperature range from warm tungsten to cool daylight. Weather-resistant and Bowens-mount compatible for use with various modifiers. Why it’s used: Provides high output with flexible color control, allowing quick adaptation to changing ambient light or creative lighting needs on both studio and location shoots.

A high-output daylight-balanced (5600K) LED fixture, delivering one of the brightest continuous lights in Aputure’s lineup. Weather-resistant and compatible with Bowens-mount modifiers. Why it’s used: Offers intense, consistent light output comparable to HMIs, making it ideal for simulating sunlight, lighting large scenes, or working in challenging outdoor conditions.

A lens-based light modifier that focuses and shapes a light beam when used with compatible LED fixtures. Accepts gobos, iris, and various lenses for creative control. Why it’s used: Produces a sharp, controllable beam for projecting patterns, creating defined shapes, or highlighting specific areas — perfect for dramatic, cinematic, or theatrical lighting effects.

A large, 90 cm (35 in) parabolic softbox designed for use with Bowens-mount LED lights. Features multiple diffusion layers and an internal deflector for even light spread. Why it’s used: Creates soft, wraparound light with pleasing fall-off, ideal for beauty, portrait, and fashion work where smooth, flattering illumination is essential.

A professional LED soft light with a large, rectangular aperture, offering fully tunable color temperature, RGBW color control, and high output. Known for its color accuracy and versatility. Why it’s used: Provides powerful, even, and adjustable light for everything from soft key lighting to bold color effects, making it a staple for high-end studio and location shoots.

A rigid, highly reflective board with a mirror-like surface, used to bounce strong, focused light. Often made from acrylic or metal for durability. Why it’s used: Redirects light with maximum intensity for sharp highlights, dramatic effects, or to simulate direct sunlight in controlled studio or location setups.

A compact, portable reflector system from The Lightbridge’s C-Reflector Lighting System (CRLS). Uses precision-engineered reflector surfaces with different diffusion levels to redirect and shape light with minimal loss. Why it’s used: Creates beautifully controlled, natural-looking light by bouncing it rather than diffusing it, allowing for subtle, cinematic lighting effects with precise direction and softness.

A compact metal frame measuring 6 feet on each side, designed to hold fabrics like diffusion, bounce, or blackouts. Lightweight and easy to move on set. Why it’s used: Ideal for smaller setups or tighter spaces, offering precise light control for individual subjects or specific areas without the footprint of larger frames.

A square metal frame measuring 12 feet on each side, used to mount fabrics such as diffusion, bounce, or blackout material. Supported by sturdy stands for stability. Why it’s used: Provides versatile light control — diffusing harsh sunlight, bouncing light, or creating shade — while being more manageable in size than a 20×20, making it ideal for medium-scale sets.

A large, square metal frame measuring 20 feet on each side, designed to hold fabrics like diffusion, bounce, or blackouts. Usually mounted on heavy-duty stands. Why it’s used: Covers large areas to diffuse, block, or reflect light, making it essential for controlling sunlight or creating consistent lighting over big sets or outdoor shoots.

A durable, reinforced fabric with an embedded grid pattern, available in various densities from full to half-stop diffusion. Often mounted on frames or used as large overheads. Why it’s used: Softens and spreads light while maintaining directional control, making it ideal for creating smooth, even illumination without excessive light spill.

A lightweight, finely woven silk fabric available in white or black versions, traditionally used on frames for light control. Why it’s used: The white version diffuses light to create a soft, flattering effect, while the black version subtly reduces light without changing its quality — both offering a smooth, natural look for high-end shoots.

A tightly woven, white cotton fabric treated to remove natural color, resulting in a neutral white tone. Often mounted on frames as a diffusion or bounce surface. Why it’s used: Softens and diffuses light with a natural, even quality, or reflects a clean, neutral light onto the subject — ideal for achieving a gentle, organic look on set.

A durable, reversible fabric with a bright white side for reflecting light and a black side for blocking it. Commonly used on large frames or butterflies. Why it’s used: The white side bounces soft, even light onto the subject, while the black side absorbs light to increase contrast, offering two light-control options in one tool.

A translucent, heat-resistant material supplied in long rolls, used to soften and spread light. Can be cut to size and mounted on frames, clamps, or directly onto fixtures. Why it’s used: Creates a gentler, more even illumination by reducing harsh shadows and highlights, making it a versatile tool for controlling light quality on set.

A cut-out panel, often made of wood, metal, or foam core, with irregular patterns that break up light into shapes and textures. Why it’s used: Projects patterned shadows onto a subject or background, adding visual interest, depth, and atmosphere to a scene without using digital effects.

A colored lighting gel from Lee Filters that casts a strong green hue when placed over a light source. Made from heat-resistant polyester for safe use with studio lights. Why it’s used: Adds a striking green effect for creative color work, mood shifts, or special effects. Can also be used for color separation or to create stylized, editorial lighting looks.

A colored lighting gel from Lee Filters that adds a vivid blue tone to light sources. Made from heat-resistant polyester and designed to be clipped or mounted in a gel frame. Why it’s used: Produces a cool blue effect for creative styling, mood enhancement, or simulating daylight in studio setups, often used in fashion, beauty and cinematic lighting.

A colored lighting gel from Lee Filters that adds a rich purple tint to light sources. Made from heat-resistant polyester, it attaches to lights using clips or filter holders. Why it’s used: Introduces a bold purple hue for creative effects, enhancing mood, adding color contrast, or creating stylized looks in fashion and editorial photography.

A colored lighting gel from Lee Filters that adds a turquoise hue to light sources. Made from heat-resistant polyester, it can be clipped to lights or placed in filter holders. Why it’s used: Creates a distinct turquoise color effect for creative lighting, mood shifts, or color separation in fashion, beauty, and editorial photography.

A small, rigid panel made from white foam core or similar material, used to reflect light. Lightweight and easy to position around the set. Why it’s used: Bounces light back onto the subject to fill in shadows, soften contrast, and create a more even, flattering illumination.

A large, rigid panel made from white foam core or similar material, used to reflect light. Lightweight and easy to position around the set. Why it’s used: Bounces light back onto the subject to fill in shadows, soften contrast, and create a more even, flattering illumination.

A large, rigid panel made from black foam core or similar material, used to block or absorb light. Typically lightweight but sturdy enough for repeated use on set. Why it’s used: Reduces light spill, deepens shadows, and increases contrast by preventing unwanted reflections. Commonly used in pairs to create controlled, moody lighting setups.

Cylindrical rolls of diffusion or black fabric mounted on a collapsible frame, designed to be quickly deployed and rolled up when not in use. Why it’s used: Provides fast, flexible light control — either softening light (diffusion) or blocking it (black) — while saving space and speeding up set changes.

Two large foam boards hinged together to form a “V” shape, typically with one white side and one black side. Lightweight and easy to move around the set. Why it’s used: The white side bounces light to fill shadows, while the black side absorbs light to increase contrast. Also useful as a background or to block parts of the set from view.

A larger black flag with an extra hinged flap of fabric that can be unfolded to double its size. Mounted on a stand or grip arm for flexible light control. Why it’s used: Offers the same light-blocking function as a standard flag but with extra coverage when needed, making it ideal for blocking strong light sources or creating large shadow areas on set.

A rectangular frame covered with opaque black fabric, used to block or shape light. Flags come in various sizes and are mounted on stands or grip arms for precise positioning. Why it’s used: Controls unwanted light spill, creates shadows, or cuts light from specific areas of the set, giving the photographer precise control over contrast and mood.

A versatile, durable stand with a three-leg base and adjustable central column, often paired with a grip head and extension arm. Known for its stability and ability to nest closely with other stands. Why it’s used: Essential for holding lights, flags, reflectors, or other modifiers in precise positions. Its design allows for creative rigging and efficient use of space on busy sets.

A strong, stable light stand built to support large, heavy lighting fixtures or modifiers. Often made from steel for maximum durability and stability. Why it’s used: Provides a secure base for powerful studio lights or large modifiers, ensuring safety and stability even with substantial weight or when used with boom arms.

A tall, wheeled light stand designed to support large and heavy lighting equipment at significant heights. Its rolling base allows easy repositioning without dismantling the setup. Why it’s used: Ideal for studio work where lights need to be moved frequently and adjusted high above the set, such as for overhead lighting or large modifiers.

A compact, heavy-duty light stand with a low maximum height, designed to support heavy lighting equipment close to the ground. Why it’s used: Perfect for positioning large lights or modifiers at low angles, supporting boom arms, or placing lights under set pieces without taking up excessive space.

A robust stand equipped with a long boom arm, designed to hold lights or modifiers far from the stand’s base. It offers extended reach and adjustable angles for creative lighting setups. Why it’s used: Ideal for placing light sources directly overhead or into hard-to-reach positions, keeping the stand itself out of frame and the shooting area clear.

A heavy-duty stand with an extendable boom arm and a crank (wind-up) mechanism for smooth height adjustment. Built to hold large, heavy lights or modifiers securely overhead. Why it’s used: Allows precise positioning of lighting from above or at difficult angles without cluttering the set with extra stands, while the wind-up feature ensures safe, controlled height changes for heavy equipment.

A portable workstation designed to securely hold a laptop during tethered shooting. It mounts onto a light stand or tripod, keeping your computer stable and at a comfortable height. Why it’s used: Provides a safe, organized space for reviewing images in real time, keeping cables tidy, and allowing the photographer and client to check shots instantly on set.

A high-quality data cable used to connect the camera directly to a computer for tethered shooting. Often available in bright colors for easy visibility on set. Why it’s used: Enables instant image transfer and live preview on a larger screen, allowing for precise focus checks, color evaluation, and faster workflow during shoots.

A high-precision display designed for professional image editing and color grading. Eizo monitors are known for exceptional color accuracy, uniform brightness, and wide gamut coverage. Why it’s used: Ensures true-to-life color reproduction and consistent viewing conditions, which is essential for retouching, print preparation, and maintaining color fidelity across different media.