PROJECT DETAILS
CRAFTING THE LIGHT
BEFORE AND AFTER
Transformation made visible.
TOOLS
Equipment List
Profoto Air Remote
A wireless transmitter that mounts on the camera’s hot shoe to control Profoto lights remotely. Supports TTL, manual power adjustment, and high-speed sync. Why it’s used: Enables precise, cable-free control of flash settings from the camera position, streamlining workflow and allowing quick lighting adjustments during a shoot.
A wireless transmitter that mounts on the camera’s hot shoe to control Profoto lights remotely. Supports TTL, manual power adjustment, and high-speed sync. Why it’s used: Enables precise, cable-free control of flash settings from the camera position, streamlining workflow and allowing quick lighting adjustments during a shoot.
Profoto Pro 11
A top-tier 2400 Ws studio generator offering ultra-fast flash durations, short recycle times, and exceptional color consistency. Features wireless control and AirX connectivity for remote operation.
Why it’s used: Delivers unmatched speed, power, and reliability for high-end fashion, beauty, and commercial shoots where precision and performance are critical.
A top-tier 2400 Ws studio generator offering ultra-fast flash durations, short recycle times, and exceptional color consistency. Features wireless control and AirX connectivity for remote operation.
Why it’s used: Delivers unmatched speed, power, and reliability for high-end fashion, beauty, and commercial shoots where precision and performance are critical.
Profoto ProHead
A high-performance flash head designed for use with Profoto’s Pro-series generators. Built for durability, fast recycling, and consistent color output, even at high power.
Why it’s used: Delivers powerful, reliable lighting for demanding studio and location work, supporting a wide range of Profoto modifiers for maximum creative control.
A high-performance flash head designed for use with Profoto’s Pro-series generators. Built for durability, fast recycling, and consistent color output, even at high power.
Why it’s used: Delivers powerful, reliable lighting for demanding studio and location work, supporting a wide range of Profoto modifiers for maximum creative control.
Profoto Extension Cable
A heavy-duty cable that extends the distance between a Profoto generator and its flash head. Designed to handle high power loads without loss of performance.
Why it’s used: Provides flexibility in light placement on large sets or challenging locations, allowing equipment to be positioned safely and creatively without being limited by generator proximity.
A heavy-duty cable that extends the distance between a Profoto generator and its flash head. Designed to handle high power loads without loss of performance.
Why it’s used: Provides flexibility in light placement on large sets or challenging locations, allowing equipment to be positioned safely and creatively without being limited by generator proximity.
Profoto Magnum Reflector
A high-output hard light modifier that boosts a flash head’s efficiency, delivering a bright, focused beam with smooth fall-off.
Why it’s used: Increases light intensity while maintaining quality, making it ideal for long-distance lighting, simulating sunlight, or adding crisp, punchy highlights in fashion and beauty work.
A high-output hard light modifier that boosts a flash head’s efficiency, delivering a bright, focused beam with smooth fall-off.
Why it’s used: Increases light intensity while maintaining quality, making it ideal for long-distance lighting, simulating sunlight, or adding crisp, punchy highlights in fashion and beauty work.
Profoto Umbrella Deep White L
A large, deep-profile umbrella with a white interior that delivers soft, even light with gentle contrast. The deep shape allows better light control and direction than shallow umbrellas.
Why it’s used: Produces flattering, wraparound illumination for fashion, beauty, and portrait photography, while maintaining control over light spread and spill.
Profoto Umbrella Deep White L
A large, deep-profile umbrella with a white interior that delivers soft, even light with gentle contrast. The deep shape allows better light control and direction than shallow umbrellas.
Why it’s used: Produces flattering, wraparound illumination for fashion, beauty, and portrait photography, while maintaining control over light spread and spill.
Profoto RFI Softbox Octa 5"(150cm)
A large, 150 cm octagonal softbox that produces broad, soft, and even illumination with natural-looking round catchlights. Compatible with Profoto flashes via the RFi speedring.
Why it’s used: Ideal for full-body fashion, group portraits, or beauty work where a flattering, wraparound light and gentle shadow transitions are essential.
Profoto RFI Softbox Octa 5"(150cm)
A large, 150 cm octagonal softbox that produces broad, soft, and even illumination with natural-looking round catchlights. Compatible with Profoto flashes via the RFi speedring.
Why it’s used: Ideal for full-body fashion, group portraits, or beauty work where a flattering, wraparound light and gentle shadow transitions are essential.
Ultrabounce
A durable, reversible fabric with a bright white side for reflecting light and a black side for blocking it. Commonly used on large frames or butterflies.
Why it’s used: The white side bounces soft, even light onto the subject, while the black side absorbs light to increase contrast, offering two light-control options in one tool.
A durable, reversible fabric with a bright white side for reflecting light and a black side for blocking it. Commonly used on large frames or butterflies.
Why it’s used: The white side bounces soft, even light onto the subject, while the black side absorbs light to increase contrast, offering two light-control options in one tool.
China Silk
A lightweight, finely woven silk fabric available in white or black versions, traditionally used on frames for light control.
Why it’s used: The white version diffuses light to create a soft, flattering effect, while the black version subtly reduces light without changing its quality — both offering a smooth, natural look for high-end shoots.
A lightweight, finely woven silk fabric available in white or black versions, traditionally used on frames for light control.
Why it’s used: The white version diffuses light to create a soft, flattering effect, while the black version subtly reduces light without changing its quality — both offering a smooth, natural look for high-end shoots.
Poly Board Black Large
A large, rigid panel made from black foam core or similar material, used to block or absorb light. Typically lightweight but sturdy enough for repeated use on set.
Why it’s used: Reduces light spill, deepens shadows, and increases contrast by preventing unwanted reflections. Commonly used in pairs to create controlled, moody lighting setups.
A large, rigid panel made from black foam core or similar material, used to block or absorb light. Typically lightweight but sturdy enough for repeated use on set.
Why it’s used: Reduces light spill, deepens shadows, and increases contrast by preventing unwanted reflections. Commonly used in pairs to create controlled, moody lighting setups.
Floppy Flag
A larger black flag with an extra hinged flap of fabric that can be unfolded to double its size. Mounted on a stand or grip arm for flexible light control.
Why it’s used: Offers the same light-blocking function as a standard flag but with extra coverage when needed, making it ideal for blocking strong light sources or creating large shadow areas on set.
A larger black flag with an extra hinged flap of fabric that can be unfolded to double its size. Mounted on a stand or grip arm for flexible light control.
Why it’s used: Offers the same light-blocking function as a standard flag but with extra coverage when needed, making it ideal for blocking strong light sources or creating large shadow areas on set.
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Project Intro
This setup is designed to deliver large, gentle light that feels effortless and natural. Perfect for campaign & editorial imagery!

STEP 1
- Set up a 20×20 (or 12×12, depending on studio size) frame overhead with Ultrabounce fabric as your “ceiling.”
- This broad, ultra-reflective surface will softly flood your set with wraparound light—perfect for starting your build.

STEP 2
- Mount four Profoto Deep White Umbrellas on ProHeads (or two, if your studio is compact) and aim them evenly at the background to wash it out.
- Start each at Power 5.0 and tweak to suit your space.
- Position large black polyboards or floppy flags behind the umbrellas to flag off any spill and keep these units isolated from the rest of your setup.

STEP 3
- Mount four Profoto Magnum reflectors on ProHeads (or two, if space is tight) and aim each up at the Ultrabounce ceiling to softly flood your set.
- Start all at Power 7.0 and tweak to suit your environment.
- Place a large black polyboard on each side of the models to flag unwanted spill and add side contrast.

STEP 4
- Optionally add a Profoto 5″ Octa RFI on the set’s right side to introduce sidelight and shape the model’s features.
- Start at Power 3.0 and tweak to taste.

STEP 5
- Rig a 12×12 (or 8×8, depending on studio size) frame with diffusion fabric behind the camera.
- Mount a Profoto Magnum reflector on a ProHead behind this frame to softly fill residual shadows.
- Start at Power 3.0 and tweak to taste.
- Camera settings 1/160, f7.1, ISO160 – adjust to what you need.
PROJECT DETAILS
CRAFTING THE LIGHT
Project Intro
This setup is designed to deliver large, gentle light that feels effortless and natural. Perfect for campaign & editorial imagery!
BEFORE AND AFTER
Transformation made visible.
STEP 1
- Set up a 20×20 (or 12×12, depending on studio size) frame overhead with Ultrabounce fabric as your “ceiling.”
- This broad, ultra-reflective surface will softly flood your set with wraparound light—perfect for starting your build.
STEP 2
- Mount four Profoto Deep White Umbrellas on ProHeads (or two, if your studio is compact) and aim them evenly at the background to wash it out.
- Start each at Power 5.0 and tweak to suit your space.
- Position large black polyboards or floppy flags behind the umbrellas to flag off any spill and keep these units isolated from the rest of your setup.
STEP 3
- Mount four Profoto Magnum reflectors on ProHeads (or two, if space is tight) and aim each up at the Ultrabounce ceiling to softly flood your set.
- Start all at Power 7.0 and tweak to suit your environment.
- Place a large black polyboard on each side of the models to flag unwanted spill and add side contrast.
STEP 4
- Optionally add a Profoto 5″ Octa RFI on the set’s right side to introduce sidelight and shape the model’s features.
- Start at Power 3.0 and tweak to taste.
STEP 5
- Rig a 12×12 (or 8×8, depending on studio size) frame with diffusion fabric behind the camera.
- Mount a Profoto Magnum reflector on a ProHead behind this frame to softly fill residual shadows.
- Start at Power 3.0 and tweak to taste.
- Camera settings 1/160, f7.1, ISO160 – adjust to what you need.
BEFORE AND AFTER
A closer look at professional environments.
TOOLS
Equipment List
Profoto Air Remote
A wireless transmitter that mounts on the camera’s hot shoe to control Profoto lights remotely. Supports TTL, manual power adjustment, and high-speed sync. Why it’s used: Enables precise, cable-free control of flash settings from the camera position, streamlining workflow and allowing quick lighting adjustments during a shoot.

A wireless transmitter that mounts on the camera’s hot shoe to control Profoto lights remotely. Supports TTL, manual power adjustment, and high-speed sync. Why it’s used: Enables precise, cable-free control of flash settings from the camera position, streamlining workflow and allowing quick lighting adjustments during a shoot.
Profoto Pro 11
A top-tier 2400 Ws studio generator offering ultra-fast flash durations, short recycle times, and exceptional color consistency. Features wireless control and AirX connectivity for remote operation.
Why it’s used: Delivers unmatched speed, power, and reliability for high-end fashion, beauty, and commercial shoots where precision and performance are critical.

A top-tier 2400 Ws studio generator offering ultra-fast flash durations, short recycle times, and exceptional color consistency. Features wireless control and AirX connectivity for remote operation.
Why it’s used: Delivers unmatched speed, power, and reliability for high-end fashion, beauty, and commercial shoots where precision and performance are critical.
Profoto ProHead
A high-performance flash head designed for use with Profoto’s Pro-series generators. Built for durability, fast recycling, and consistent color output, even at high power.
Why it’s used: Delivers powerful, reliable lighting for demanding studio and location work, supporting a wide range of Profoto modifiers for maximum creative control.

A high-performance flash head designed for use with Profoto’s Pro-series generators. Built for durability, fast recycling, and consistent color output, even at high power.
Why it’s used: Delivers powerful, reliable lighting for demanding studio and location work, supporting a wide range of Profoto modifiers for maximum creative control.
Profoto Extension Cable
A heavy-duty cable that extends the distance between a Profoto generator and its flash head. Designed to handle high power loads without loss of performance.
Why it’s used: Provides flexibility in light placement on large sets or challenging locations, allowing equipment to be positioned safely and creatively without being limited by generator proximity.

A heavy-duty cable that extends the distance between a Profoto generator and its flash head. Designed to handle high power loads without loss of performance.
Why it’s used: Provides flexibility in light placement on large sets or challenging locations, allowing equipment to be positioned safely and creatively without being limited by generator proximity.
Profoto Magnum Reflector
A high-output hard light modifier that boosts a flash head’s efficiency, delivering a bright, focused beam with smooth fall-off.
Why it’s used: Increases light intensity while maintaining quality, making it ideal for long-distance lighting, simulating sunlight, or adding crisp, punchy highlights in fashion and beauty work.

A high-output hard light modifier that boosts a flash head’s efficiency, delivering a bright, focused beam with smooth fall-off.
Why it’s used: Increases light intensity while maintaining quality, making it ideal for long-distance lighting, simulating sunlight, or adding crisp, punchy highlights in fashion and beauty work.
Profoto Umbrella Deep White L
A large, deep-profile umbrella with a white interior that delivers soft, even light with gentle contrast. The deep shape allows better light control and direction than shallow umbrellas.
Why it’s used: Produces flattering, wraparound illumination for fashion, beauty, and portrait photography, while maintaining control over light spread and spill.
Profoto Umbrella Deep White L

A large, deep-profile umbrella with a white interior that delivers soft, even light with gentle contrast. The deep shape allows better light control and direction than shallow umbrellas.
Why it’s used: Produces flattering, wraparound illumination for fashion, beauty, and portrait photography, while maintaining control over light spread and spill.
Profoto RFI Softbox Octa 5"(150cm)
A large, 150 cm octagonal softbox that produces broad, soft, and even illumination with natural-looking round catchlights. Compatible with Profoto flashes via the RFi speedring.
Why it’s used: Ideal for full-body fashion, group portraits, or beauty work where a flattering, wraparound light and gentle shadow transitions are essential.
Profoto RFI Softbox Octa 5"(150cm)

A large, 150 cm octagonal softbox that produces broad, soft, and even illumination with natural-looking round catchlights. Compatible with Profoto flashes via the RFi speedring.
Why it’s used: Ideal for full-body fashion, group portraits, or beauty work where a flattering, wraparound light and gentle shadow transitions are essential.
Ultrabounce
A durable, reversible fabric with a bright white side for reflecting light and a black side for blocking it. Commonly used on large frames or butterflies.
Why it’s used: The white side bounces soft, even light onto the subject, while the black side absorbs light to increase contrast, offering two light-control options in one tool.

A durable, reversible fabric with a bright white side for reflecting light and a black side for blocking it. Commonly used on large frames or butterflies.
Why it’s used: The white side bounces soft, even light onto the subject, while the black side absorbs light to increase contrast, offering two light-control options in one tool.
China Silk
A lightweight, finely woven silk fabric available in white or black versions, traditionally used on frames for light control.
Why it’s used: The white version diffuses light to create a soft, flattering effect, while the black version subtly reduces light without changing its quality — both offering a smooth, natural look for high-end shoots.

A lightweight, finely woven silk fabric available in white or black versions, traditionally used on frames for light control.
Why it’s used: The white version diffuses light to create a soft, flattering effect, while the black version subtly reduces light without changing its quality — both offering a smooth, natural look for high-end shoots.
Poly Board Black Large
A large, rigid panel made from black foam core or similar material, used to block or absorb light. Typically lightweight but sturdy enough for repeated use on set.
Why it’s used: Reduces light spill, deepens shadows, and increases contrast by preventing unwanted reflections. Commonly used in pairs to create controlled, moody lighting setups.

A large, rigid panel made from black foam core or similar material, used to block or absorb light. Typically lightweight but sturdy enough for repeated use on set.
Why it’s used: Reduces light spill, deepens shadows, and increases contrast by preventing unwanted reflections. Commonly used in pairs to create controlled, moody lighting setups.
Floppy Flag
A larger black flag with an extra hinged flap of fabric that can be unfolded to double its size. Mounted on a stand or grip arm for flexible light control.
Why it’s used: Offers the same light-blocking function as a standard flag but with extra coverage when needed, making it ideal for blocking strong light sources or creating large shadow areas on set.

A larger black flag with an extra hinged flap of fabric that can be unfolded to double its size. Mounted on a stand or grip arm for flexible light control.
Why it’s used: Offers the same light-blocking function as a standard flag but with extra coverage when needed, making it ideal for blocking strong light sources or creating large shadow areas on set.
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