A wireless transmitter that mounts on the camera’s hot shoe to control Profoto lights remotely. Supports TTL, manual power adjustment, and high-speed sync. Why it’s used: Enables precise, cable-free control of flash settings from the camera position, streamlining workflow and allowing quick lighting adjustments during a shoot.

A top-tier 2400 Ws studio generator offering ultra-fast flash durations, short recycle times, and exceptional color consistency. Features wireless control and AirX connectivity for remote operation. Why it’s used: Delivers unmatched speed, power, and reliability for high-end fashion, beauty, and commercial shoots where precision and performance are critical.

A high-performance flash head designed for use with Profoto’s Pro-series generators. Built for durability, fast recycling, and consistent color output, even at high power. Why it’s used: Delivers powerful, reliable lighting for demanding studio and location work, supporting a wide range of Profoto modifiers for maximum creative control.

A heavy-duty cable that extends the distance between a Profoto generator and its flash head. Designed to handle high power loads without loss of performance. Why it’s used: Provides flexibility in light placement on large sets or challenging locations, allowing equipment to be positioned safely and creatively without being limited by generator proximity.

A projection attachment for Profoto flash heads that uses lenses to focus and shape the light beam with precision. Compatible with gobos for pattern projection. Why it’s used: Allows highly controlled lighting effects, from sharp-edged beams to textured patterns, perfect for adding drama, highlighting details, or creating creative backgrounds in fashion and editorial shoots.

A versatile hard light modifier for Profoto flash heads, featuring an adjustable zoom function to change the beam spread from wide to focused. Why it’s used: Provides crisp, punchy light with controllable spread, making it suitable for everything from general illumination to accent lighting in both studio and location work.

A small, shallow-profile umbrella with a white interior that delivers soft, even illumination. Compact and easy to transport. Why it’s used: Creates a gentle, natural-looking light with low contrast, perfect for tight spaces, on-location shoots, or as a subtle fill light in fashion and portrait work.

A tightly woven, white cotton fabric treated to remove natural color, resulting in a neutral white tone. Often mounted on frames as a diffusion or bounce surface. Why it’s used: Softens and diffuses light with a natural, even quality, or reflects a clean, neutral light onto the subject — ideal for achieving a gentle, organic look on set.

A large, rigid panel made from black foam core or similar material, used to block or absorb light. Typically lightweight but sturdy enough for repeated use on set. Why it’s used: Reduces light spill, deepens shadows, and increases contrast by preventing unwanted reflections. Commonly used in pairs to create controlled, moody lighting setups.

A large, rigid panel made from white foam core or similar material, used to reflect light. Lightweight and easy to position around the set. Why it’s used: Bounces light back onto the subject to fill in shadows, soften contrast, and create a more even, flattering illumination.