PROJECT DETAILS
CRAFTING THE LIGHT
BEFORE AND AFTER
Transformation made visible.
TOOLS
Equipment List
Profoto Air Remote
A wireless transmitter that mounts on the camera’s hot shoe to control Profoto lights remotely. Supports TTL, manual power adjustment, and high-speed sync. Why it’s used: Enables precise, cable-free control of flash settings from the camera position, streamlining workflow and allowing quick lighting adjustments during a shoot.
A wireless transmitter that mounts on the camera’s hot shoe to control Profoto lights remotely. Supports TTL, manual power adjustment, and high-speed sync. Why it’s used: Enables precise, cable-free control of flash settings from the camera position, streamlining workflow and allowing quick lighting adjustments during a shoot.
Profoto Pro 11
A top-tier 2400 Ws studio generator offering ultra-fast flash durations, short recycle times, and exceptional color consistency. Features wireless control and AirX connectivity for remote operation.
Why it’s used: Delivers unmatched speed, power, and reliability for high-end fashion, beauty, and commercial shoots where precision and performance are critical.
A top-tier 2400 Ws studio generator offering ultra-fast flash durations, short recycle times, and exceptional color consistency. Features wireless control and AirX connectivity for remote operation.
Why it’s used: Delivers unmatched speed, power, and reliability for high-end fashion, beauty, and commercial shoots where precision and performance are critical.
Profoto ProHead
A high-performance flash head designed for use with Profoto’s Pro-series generators. Built for durability, fast recycling, and consistent color output, even at high power.
Why it’s used: Delivers powerful, reliable lighting for demanding studio and location work, supporting a wide range of Profoto modifiers for maximum creative control.
A high-performance flash head designed for use with Profoto’s Pro-series generators. Built for durability, fast recycling, and consistent color output, even at high power.
Why it’s used: Delivers powerful, reliable lighting for demanding studio and location work, supporting a wide range of Profoto modifiers for maximum creative control.
Profoto Extension Cable
A heavy-duty cable that extends the distance between a Profoto generator and its flash head. Designed to handle high power loads without loss of performance.
Why it’s used: Provides flexibility in light placement on large sets or challenging locations, allowing equipment to be positioned safely and creatively without being limited by generator proximity.
A heavy-duty cable that extends the distance between a Profoto generator and its flash head. Designed to handle high power loads without loss of performance.
Why it’s used: Provides flexibility in light placement on large sets or challenging locations, allowing equipment to be positioned safely and creatively without being limited by generator proximity.
Profoto Zoom Reflector
A versatile hard light modifier for Profoto flash heads, featuring an adjustable zoom function to change the beam spread from wide to focused.
Why it’s used: Provides crisp, punchy light with controllable spread, making it suitable for everything from general illumination to accent lighting in both studio and location work.
A versatile hard light modifier for Profoto flash heads, featuring an adjustable zoom function to change the beam spread from wide to focused.
Why it’s used: Provides crisp, punchy light with controllable spread, making it suitable for everything from general illumination to accent lighting in both studio and location work.
Grid Cloth
A durable, reinforced fabric with an embedded grid pattern, available in various densities from full to half-stop diffusion. Often mounted on frames or used as large overheads.
Why it’s used: Softens and spreads light while maintaining directional control, making it ideal for creating smooth, even illumination without excessive light spill.
A durable, reinforced fabric with an embedded grid pattern, available in various densities from full to half-stop diffusion. Often mounted on frames or used as large overheads.
Why it’s used: Softens and spreads light while maintaining directional control, making it ideal for creating smooth, even illumination without excessive light spill.
Ultrabounce
A durable, reversible fabric with a bright white side for reflecting light and a black side for blocking it. Commonly used on large frames or butterflies.
Why it’s used: The white side bounces soft, even light onto the subject, while the black side absorbs light to increase contrast, offering two light-control options in one tool.
A durable, reversible fabric with a bright white side for reflecting light and a black side for blocking it. Commonly used on large frames or butterflies.
Why it’s used: The white side bounces soft, even light onto the subject, while the black side absorbs light to increase contrast, offering two light-control options in one tool.
Poly Board Black Large
A large, rigid panel made from black foam core or similar material, used to block or absorb light. Typically lightweight but sturdy enough for repeated use on set.
Why it’s used: Reduces light spill, deepens shadows, and increases contrast by preventing unwanted reflections. Commonly used in pairs to create controlled, moody lighting setups.
A large, rigid panel made from black foam core or similar material, used to block or absorb light. Typically lightweight but sturdy enough for repeated use on set.
Why it’s used: Reduces light spill, deepens shadows, and increases contrast by preventing unwanted reflections. Commonly used in pairs to create controlled, moody lighting setups.
Poly Board White Large
A large, rigid panel made from white foam core or similar material, used to reflect light. Lightweight and easy to position around the set.
Why it’s used: Bounces light back onto the subject to fill in shadows, soften contrast, and create a more even, flattering illumination.
A large, rigid panel made from white foam core or similar material, used to reflect light. Lightweight and easy to position around the set.
Why it’s used: Bounces light back onto the subject to fill in shadows, soften contrast, and create a more even, flattering illumination.
Get your full EQ list here
Project Intro
Our aim with this setup is to craft an ultra soft, naturally flattering light—so we’re building a “book light” to wrap your subject in gentle illumination. Let’s roll up our sleeves and dive in!
STEP 1
- Mount an 8×8 Ultrabounce frame at a 45° angle.
- Clip an 8×8 grid cloth fabric to the top edge, forming a “book.”
- Place a Profoto ProHead with Zoom Reflector low inside the “book,” bouncing into the Ultrabounce.
- Surround with three black polyboards to flag spill.
- Start at power 7.0 and tweak until the light is super‑soft and natural.
STEP 2
- Position two white polyboards on the far side of the set to fill shadow areas.
- Mount a Profoto ProHead with Zoom Reflector at camera‑left, high up.
- Aim it at the ceiling so light bounces back for extra soft, natural fill.
- Begin at power 5.0 and tweak to taste.
- Camera settings 1/160, f6.3, ISO160
PROJECT DETAILS
CRAFTING THE LIGHT
Project Intro
Our aim with this setup is to craft an ultra soft, naturally flattering light—so we’re building a “book light” to wrap your subject in gentle illumination. Let’s roll up our sleeves and dive in!
BEFORE AND AFTER
Transformation made visible.
STEP 1
- Mount an 8×8 Ultrabounce frame at a 45° angle.
- Clip an 8×8 grid cloth fabric to the top edge, forming a “book.”
- Place a Profoto ProHead with Zoom Reflector low inside the “book,” bouncing into the Ultrabounce.
- Surround with three black polyboards to flag spill.
- Start at power 7.0 and tweak until the light is super‑soft and natural.
STEP 2
- Position two white polyboards on the far side of the set to fill shadow areas.
- Mount a Profoto ProHead with Zoom Reflector at camera‑left, high up.
- Aim it at the ceiling so light bounces back for extra soft, natural fill.
- Begin at power 5.0 and tweak to taste.
- Camera settings 1/160, f6.3, ISO160
BEFORE AND AFTER
A closer look at professional environments.
TOOLS
Equipment List
Profoto Air Remote
A wireless transmitter that mounts on the camera’s hot shoe to control Profoto lights remotely. Supports TTL, manual power adjustment, and high-speed sync. Why it’s used: Enables precise, cable-free control of flash settings from the camera position, streamlining workflow and allowing quick lighting adjustments during a shoot.
A wireless transmitter that mounts on the camera’s hot shoe to control Profoto lights remotely. Supports TTL, manual power adjustment, and high-speed sync. Why it’s used: Enables precise, cable-free control of flash settings from the camera position, streamlining workflow and allowing quick lighting adjustments during a shoot.
Profoto Pro 11
A top-tier 2400 Ws studio generator offering ultra-fast flash durations, short recycle times, and exceptional color consistency. Features wireless control and AirX connectivity for remote operation.
Why it’s used: Delivers unmatched speed, power, and reliability for high-end fashion, beauty, and commercial shoots where precision and performance are critical.
A top-tier 2400 Ws studio generator offering ultra-fast flash durations, short recycle times, and exceptional color consistency. Features wireless control and AirX connectivity for remote operation.
Why it’s used: Delivers unmatched speed, power, and reliability for high-end fashion, beauty, and commercial shoots where precision and performance are critical.
Profoto ProHead
A high-performance flash head designed for use with Profoto’s Pro-series generators. Built for durability, fast recycling, and consistent color output, even at high power.
Why it’s used: Delivers powerful, reliable lighting for demanding studio and location work, supporting a wide range of Profoto modifiers for maximum creative control.
A high-performance flash head designed for use with Profoto’s Pro-series generators. Built for durability, fast recycling, and consistent color output, even at high power.
Why it’s used: Delivers powerful, reliable lighting for demanding studio and location work, supporting a wide range of Profoto modifiers for maximum creative control.
Profoto Extension Cable
A heavy-duty cable that extends the distance between a Profoto generator and its flash head. Designed to handle high power loads without loss of performance.
Why it’s used: Provides flexibility in light placement on large sets or challenging locations, allowing equipment to be positioned safely and creatively without being limited by generator proximity.
A heavy-duty cable that extends the distance between a Profoto generator and its flash head. Designed to handle high power loads without loss of performance.
Why it’s used: Provides flexibility in light placement on large sets or challenging locations, allowing equipment to be positioned safely and creatively without being limited by generator proximity.
Profoto Zoom Reflector
A versatile hard light modifier for Profoto flash heads, featuring an adjustable zoom function to change the beam spread from wide to focused.
Why it’s used: Provides crisp, punchy light with controllable spread, making it suitable for everything from general illumination to accent lighting in both studio and location work.
A versatile hard light modifier for Profoto flash heads, featuring an adjustable zoom function to change the beam spread from wide to focused.
Why it’s used: Provides crisp, punchy light with controllable spread, making it suitable for everything from general illumination to accent lighting in both studio and location work.
Grid Cloth
A durable, reinforced fabric with an embedded grid pattern, available in various densities from full to half-stop diffusion. Often mounted on frames or used as large overheads.
Why it’s used: Softens and spreads light while maintaining directional control, making it ideal for creating smooth, even illumination without excessive light spill.
A durable, reinforced fabric with an embedded grid pattern, available in various densities from full to half-stop diffusion. Often mounted on frames or used as large overheads.
Why it’s used: Softens and spreads light while maintaining directional control, making it ideal for creating smooth, even illumination without excessive light spill.
Ultrabounce
A durable, reversible fabric with a bright white side for reflecting light and a black side for blocking it. Commonly used on large frames or butterflies.
Why it’s used: The white side bounces soft, even light onto the subject, while the black side absorbs light to increase contrast, offering two light-control options in one tool.
A durable, reversible fabric with a bright white side for reflecting light and a black side for blocking it. Commonly used on large frames or butterflies.
Why it’s used: The white side bounces soft, even light onto the subject, while the black side absorbs light to increase contrast, offering two light-control options in one tool.
Poly Board Black Large
A large, rigid panel made from black foam core or similar material, used to block or absorb light. Typically lightweight but sturdy enough for repeated use on set.
Why it’s used: Reduces light spill, deepens shadows, and increases contrast by preventing unwanted reflections. Commonly used in pairs to create controlled, moody lighting setups.
A large, rigid panel made from black foam core or similar material, used to block or absorb light. Typically lightweight but sturdy enough for repeated use on set.
Why it’s used: Reduces light spill, deepens shadows, and increases contrast by preventing unwanted reflections. Commonly used in pairs to create controlled, moody lighting setups.
Poly Board White Large
A large, rigid panel made from white foam core or similar material, used to reflect light. Lightweight and easy to position around the set.
Why it’s used: Bounces light back onto the subject to fill in shadows, soften contrast, and create a more even, flattering illumination.
A large, rigid panel made from white foam core or similar material, used to reflect light. Lightweight and easy to position around the set.
Why it’s used: Bounces light back onto the subject to fill in shadows, soften contrast, and create a more even, flattering illumination.
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