A wireless transmitter that mounts on the camera’s hot shoe to control Profoto lights remotely. Supports TTL, manual power adjustment, and high-speed sync. Why it’s used: Enables precise, cable-free control of flash settings from the camera position, streamlining workflow and allowing quick lighting adjustments during a shoot.

A top-tier 2400 Ws studio generator offering ultra-fast flash durations, short recycle times, and exceptional color consistency. Features wireless control and AirX connectivity for remote operation. Why it’s used: Delivers unmatched speed, power, and reliability for high-end fashion, beauty, and commercial shoots where precision and performance are critical.

A high-performance flash head designed for use with Profoto’s Pro-series generators. Built for durability, fast recycling, and consistent color output, even at high power. Why it’s used: Delivers powerful, reliable lighting for demanding studio and location work, supporting a wide range of Profoto modifiers for maximum creative control.

A heavy-duty cable that extends the distance between a Profoto generator and its flash head. Designed to handle high power loads without loss of performance. Why it’s used: Provides flexibility in light placement on large sets or challenging locations, allowing equipment to be positioned safely and creatively without being limited by generator proximity.

A medium-sized, deep-profile umbrella with a white interior that creates soft, even light with subtle contrast. The deeper shape offers improved control over light direction. Why it’s used: Ideal for beauty, portrait, and fashion work where a flattering, wraparound light is desired, while keeping the lighting controlled and focused.

A versatile hard light modifier for Profoto flash heads, featuring an adjustable zoom function to change the beam spread from wide to focused. Why it’s used: Provides crisp, punchy light with controllable spread, making it suitable for everything from general illumination to accent lighting in both studio and location work.

Two large foam boards hinged together to form a “V” shape, typically with one white side and one black side. Lightweight and easy to move around the set. Why it’s used: The white side bounces light to fill shadows, while the black side absorbs light to increase contrast. Also useful as a background or to block parts of the set from view.

A large, rigid panel made from black foam core or similar material, used to block or absorb light. Typically lightweight but sturdy enough for repeated use on set. Why it’s used: Reduces light spill, deepens shadows, and increases contrast by preventing unwanted reflections. Commonly used in pairs to create controlled, moody lighting setups.

A larger black flag with an extra hinged flap of fabric that can be unfolded to double its size. Mounted on a stand or grip arm for flexible light control. Why it’s used: Offers the same light-blocking function as a standard flag but with extra coverage when needed, making it ideal for blocking strong light sources or creating large shadow areas on set.

A durable, reinforced fabric with an embedded grid pattern, available in various densities from full to half-stop diffusion. Often mounted on frames or used as large overheads. Why it’s used: Softens and spreads light while maintaining directional control, making it ideal for creating smooth, even illumination without excessive light spill.